But they’ll guide you as you move forward so you don’t feel lost and alone in the journey. If you are willing to do your own work, with someone to guide you and offer thoughts and advice along the way, ScreenCraft really helps, as they invest in people who invest in themselves. When, through other means, I was able to attract producers to the script, it was the lookbook that convinced them I could also direct, and should be the one to do so. He encouraged me to do an extensive lookbook in order to prove that I had the vision to direct this film as well, and guided me on that book to completion. The Feature Competition was a great help because I had one on one consultations with, who had me put together lists of production companies, agents and actors I wanted to work with on this film specifically. I knew the script was getting better with each rewrite, but I didn’t know what to do to get it into the right hands. Worked on the script more, entered in the ScreenCraft Feature Competition the following year and was a finalist and a runner up. I can learn whenever it fits my schedule. Over 7 million in screenplays and pilots have been sold by competition finalists since 1999. To be able to take courses at my own pace and rhythm has been an amazing experience. I entered the ScreenCraft Drama Competition first, and made the semifinals. Script Pipeline boasts a 25,000 grand prize, long-term script circulation to its industry network, development assistance, meetings, and invitations to industry events. "I had placed in a couple competitions and nothing had come of it, and I started looking for ones that had readers from the industry that I was excited about and ones where the prize was actually useful to me, ie: mentorship, feedback, advice for where I was at specifically. I’m just feeling super grateful - it’s been such a whirlwind experience, and ScreenCraft has really gone above and beyond in advancing my career. I can’t thank them enough." They even got my script read by a number of reps, and facilitated a meeting with the manager that I’m now repped by. From strategizing on game plans, to answering questions and concerns, to connecting me with other finalists, I’ve just felt super supported throughout. Beyond the formatting aspects of one-hour drama scripts, single-camera sitcoms, or multi-camera sitcoms, there are three specific types of TV pilots that writers need to choose from Premise, Non-Premise, and Soft-Premise pilots. Which is why I sing such high praises about ScreenCraft’s writer development team!! They have this wonderfully hands-on approach that helps clarify how to take actual steps towards your goals. Sometimes I feel like the path to a successful writing career is this weird, nebulous mystery, and it can be pretty intimidating trying to set an effective course. The quality of the feedback has just been incredibly valuable for bettering my craft and taking my scripts to the next level. "I didn’t go to film school and, especially at the beginning, I was super nervous about sharing my work. ScreenCraft was the first writing competition I submitted to, and I’ve continued to do so for several projects because they consistently work with amazing readers who give in depth, actionable notes. Signed with a literary manager at Affirmative Entertainment Submit your project to Shore Scripts TV Pilot Contest (2018) on Coverfly today Submit.
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